{"id":3113,"date":"2018-07-30T18:22:09","date_gmt":"2018-07-30T17:22:09","guid":{"rendered":"http:\/\/www.samyatesdirector.com\/?page_id=3113"},"modified":"2020-03-23T14:54:52","modified_gmt":"2020-03-23T14:54:52","slug":"incantata-adapted-from-poem-by-paul-muldoon-galway-international-arts-festival-2018","status":"publish","type":"page","link":"https:\/\/www.samyatesdirector.com\/?page_id=3113","title":{"rendered":"INCANTATA adapted from poem by Paul Muldoon"},"content":{"rendered":"<p><span style=\"color: #000000;\">Produced by Galway International Arts Festival and Jen Coppinger in association with Poetry Ireland. The production, a stage adaptation by Stanley Townsend and Sam Yates from the poem by Paul Muldoon, has played Galway International Arts Festival (2018), The Gate Theatre, Dublin (2019) and the Irish Rep Theatre (2020).\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3450\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1024x683.jpg\" alt=\"\" width=\"703\" height=\"469\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1024x683.jpg 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-300x200.jpg 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-768x512.jpg 768w\" sizes=\"auto, (max-width: 703px) 100vw, 703px\" \/><\/a><br \/>\n&nbsp;<br \/>\n<span style=\"color: #000000;\"><em>Incantata<\/em>\u00a0was written by Pulitzer Prize winning poet Paul Muldoon about the great artist, and his former partner, Mary Farl Powers, who died at the very young age of 43.\u00a0<\/span><span style=\"color: #000000;\">This world premiere stage production imagines\u00a0a whole life that is based on Paul Muldoon\u2019s writing and\u00a0it goes beyond that too. It\u2019s a story full of love, full of heartache, full of sadness, and with bitingly funny humour too.<\/span><\/p>\n<p><span style=\"color: #000000;\">The production features a haunting soundtrack\u00a0by\u00a0composer Teho Teardo, who is\u00a0well known to audiences in Ireland for his music with Enda Walsh including\u00a0<em>Ballyturk<\/em>,\u00a0<em>Arlington<\/em>\u00a0and most recently\u00a0<em>Grief is the Thing with Feathers;<\/em>\u00a0set design by\u00a0Rosanna Vize; lighting design by the multi-award winning\u00a0designer Paul Keogan; cutting-edge video design by Jack Phelan and sound design by\u00a0Sin\u00e9ad Diskin.<\/span><\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption 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href='https:\/\/www.samyatesdirector.com\/?attachment_id=3457'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0022-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0022-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0022-144x144.jpg 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3450'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-144x144.jpg 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3455'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0015-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0015-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0015-144x144.jpg 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3451'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0006-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0006-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0006-144x144.jpg 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3078'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.05.47-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" 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height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.04.52-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.04.52-150x150.png 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.04.52-144x144.png 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3458'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0023-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0023-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0023-144x144.jpg 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.samyatesdirector.com\/?attachment_id=3083'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.08.20-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.08.20-150x150.png 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/07\/Screen-Shot-2018-07-30-at-17.08.20-144x144.png 144w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h1><span style=\"color: #000000;\">Press<\/span><\/h1>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.nytimes.com\/2020\/03\/03\/theater\/incantata-review-paul-muldoon.html\">THE NEW YORK TIMES (Critics&#8217; Choice) | Maya Phillips<\/a><\/span> &#8220;Spellbinding&#8230; lyrical&#8230; \u201cIncantata\u201d is unique and beautiful&#8230; its life onstage has a peculiar charm, a touch of magic.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.theatrereviews.com\/off-broadway-review-incantata-at-irish-repertory-theatres-francis-j-greenburger-mainstage\/\"><span style=\"text-decoration: underline;\">THEATRE REVIEWS LIMITED | David Roberts<\/span><\/a> &#8220;One of the most powerful theatrical experiences of the current off-Broadway season.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/thefrontrowcenter.com\/2020\/02\/incantata\/\">FRONT ROW CENTRE | Holli Harms<\/a><\/span> &#8220;This is theatricality when it is smart. This is a deconstruction of words and reconstruction of life. This is an ingenious production&#8230; It is sublime.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/theaterscene.com\/Incantata_at_Irish_Repertory_Theatre.html\"><span style=\"text-decoration: underline;\">THE THEATRE SCENE | Eugene Paul<\/span><\/a> &#8220;A bravura performance by outstanding Stanley Townsend exhaustively aided by the constant fluidity of director Sam Yates\u2019s hard pressed ingenuity.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/dcmetrotheaterarts.com\/2020\/03\/07\/an-emotional-elegy-to-love-and-art-in-incantata-at-irish-repertory-theatre\/\">DC METRO | Deb Miller<\/a><\/span> &#8220;an emotion-packed elegy to the enchantment of love, life, and art by Irish poet and Pulitzer Prize winner Paul Muldoon&#8230;Townsend\u2019s intense tour-de-force delivery.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/iamone.co.uk\/?p=2293\">ONE MAGAZINE | Lisa Del Rosso <\/a><\/span>&#8220;Written by Pulitzer-Prize winning poet Paul Muldoon, directed with sensitivity and spirit by Sam Yates, and performed by the astonishing Stanley Townsend, it is a tour-de-force, a challenging work of language and love attempting to bridge the divide between life and death.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.talkinbroadway.com\/page\/ob\/02_23_20.html\"><span style=\"text-decoration: underline;\">TALKIN&#8217; BROADWAY | David Hurst<\/span><\/a> &#8220;An emotionally gripping performance by Townsend, a commanding actor with a riveting presence. He and Yates have transformed the poem into a multi-sensory experience, with cryptic music by Teho Teardo, an eclectic set and costuming by Rosanna Vize, evocative lighting by Paul Keogan, edgy video design by Jack Phelan, and haunting sound design by Sin\u00e9ad Diskin.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.theguardian.com\/stage\/2018\/jul\/23\/incantata-review-pain-poetry-and-potatoes-with-paul-muldoon\"><span style=\"text-decoration: underline;\">4**** THE GUARDIAN | Helen Meany<\/span><\/a> &#8220;Stanley Townsend brings the poet\u2019s searing love poetry to life in a visually stunning show boasting some Beckettian touches.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.irishtimes.com\/culture\/stage\/theatre\/when-grief-and-art-become-a-gruelling-physical-process-1.3570139\">4**** THE IRISH TIMES | Peter Crawley<\/a><\/span> &#8220;Here, then, in all its display and transformations, is grief as an artform.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.irishexaminer.com\/breakingnews\/lifestyle\/culture\/review-incantata-a-brilliantly-unstable-experience-856684.html\">4**** IRISH EXAMINER | Padraic Killeen<\/a><\/span> &#8220;What makes this a remarkable piece of theatre, however, is director Sam Yates\u2019s frenzied use of sound and vision to complement, and foil, Muldoon\u2019s raw and riveting lament. It all makes for a brilliantly unstable experience, the play teetering between order and disorder, as Townsend\u2019s wild cacophony of memory fragments struggles to extract from life some sense of a redemptive unity.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.independent.ie\/entertainment\/theatre-arts\/galway-festival-opens-with-pure-poetry-37138792.html\"><span style=\"text-decoration: underline;\">THE SUNDAY INDEPENDENT | Emer O&#8217;Kelly<\/span><\/a> &#8220;The performance is a monumental collaboration so perfect (glowingly directed by Sam Yates, designed by Rosanna Vize with Teho Teardo&#8217;s music, Jack Phelan&#8217;s video and lit by Paul Keogan with Sinead Diskin&#8217;s sound), that the poem&#8217;s kaleidoscopic images do more than freeze themselves individually into the mind&#8230; Galway International Arts Festival (GIAF) seems to have a genius in its choice of co-production. In this case, it&#8217;s Jen Coppinger and Poetry Ireland. And, of course, the electrifying Stanley Townsend.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">RT\u00c9 ARENA on Incantata<\/span> &#8220;Amazing performance. Amazing visuals. Beautiful. Highly recommended.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">GALWAY CITY TRIBUNE on Incantata<\/span> &#8220;A dizzying journey through grief and loss&#8230;the dream production team.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\">THE NEW YORK TIMES | Scott Heller<\/span> &#8216;That festival, and the Galway theater scene in general, has been a major launching pad for such playwrights as Martin McDonagh (\u201cThe Beauty Queen of Leenane\u201d) and Enda Walsh (\u201cMisterman,\u201d \u201cOnce\u201d)&#8230; Another festival highlight: a video-ornamented stage adaptation of the Pulitzer-winning poet Paul Muldoon\u2019s \u201cIncantata.\u201d It wouldn\u2019t surprise me if you\u2019ll hear more about all three plays, as Irish work has been regularly presented on the London and New York stages, at St. Ann\u2019s Warehouse, the Brooklyn Academy of Music and the Irish Arts Center.&#8221;<\/span><\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/www.irishtimes.com\/culture\/creative-flights-as-galway-arts-festival-soars-1.3580852\"><span style=\"text-decoration: underline;\">THE IRISH TIMES | Deirdre Falvey<\/span><\/a>\u00a0<em>Festival roundup<\/em> &#8220;One of the prides of this year\u2019s festival&#8230;a glorious burst of poetic intensity in Stanley Townsend\u2019s magnificent grief- and rage-laden performance in Paul Muldoon\u2019s Incantata produced with Jen Coppinger.&#8221;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Produced by Galway International Arts Festival and Jen Coppinger in association with Poetry Ireland. The production, a stage adaptation by Stanley Townsend and Sam Yates from the poem by Paul Muldoon, has played Galway International Arts Festival (2018), The Gate Theatre, Dublin (2019) and the Irish Rep Theatre (2020).\u00a0 &nbsp; Incantata\u00a0was written by Pulitzer Prize [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3113","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/3113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3113"}],"version-history":[{"count":17,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/3113\/revisions"}],"predecessor-version":[{"id":3479,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/3113\/revisions\/3479"}],"wp:attachment":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}