{"id":2230,"date":"2016-08-23T01:39:59","date_gmt":"2016-08-23T00:39:59","guid":{"rendered":"http:\/\/www.samyatesdirector.com\/?page_id=2230"},"modified":"2025-06-09T18:19:48","modified_gmt":"2025-06-09T17:19:48","slug":"productions","status":"publish","type":"page","link":"https:\/\/www.samyatesdirector.com\/?page_id=2230","title":{"rendered":"THEATRE"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h1><span style=\"color: #000000;\"><strong>GOLDEN BOY<\/strong> by Clifford Odets<\/span><\/h1>\n<p><span style=\"color: #000000;\">Almeida Theatre, 2026.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4701\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2025\/06\/GB-IMAGE-877x1024.jpg\" alt=\"\" width=\"699\" height=\"816\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2025\/06\/GB-IMAGE-877x1024.jpg 877w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2025\/06\/GB-IMAGE-257x300.jpg 257w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2025\/06\/GB-IMAGE-768x897.jpg 768w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2025\/06\/GB-IMAGE.jpg 1290w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><br \/>\n&nbsp;<\/p>\n<h1><span style=\"color: #000000;\"><strong>VANYA\u00a0<\/strong><\/span><\/h1>\n<p><span style=\"color: #000000;\">Duke of Yorks, West End \/ Lucille Lortel, New York<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4608\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-1024x1024.jpg\" alt=\"\" width=\"698\" height=\"698\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-1024x1024.jpg 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-300x300.jpg 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-768x768.jpg 768w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2-144x144.jpg 144w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2024\/10\/8055_05_VANB_TT_1080x1080px_v2.jpg 1080w\" sizes=\"auto, (max-width: 698px) 100vw, 698px\" \/><br \/>\n&nbsp;<br \/>\n<span style=\"color: #000000;\">Cast: Andrew Scott<\/span><br \/>\n<span style=\"color: #000000;\">Writer: Simon Stephens, after Anton Chekhov<\/span><br \/>\n<span style=\"color: #000000;\">Director: Sam Yates<\/span><br \/>\n<span style=\"color: #000000;\">Designer: Rosanna Vize; Lighting James Farncombe; Sound Dan Balfour; Video Jack Phelan; Movement Michela Meazza; Associate Designer Blythe Brett; Assistant Director Francesca Hsieh<\/span><br \/>\n<span style=\"color: #000000;\">Producers Wessex Grove, Gavin Kalin, Kater Gordon<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>AWARDS<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">Best Revival &#8211; Olivier Awards<\/span><br \/>\n<span style=\"color: #000000;\">Best Revival &#8211; What&#8217;s On Stage Awards<\/span><br \/>\n<span style=\"color: #000000;\">Best Revival &#8211; New York Outer Critic&#8217;s Circle<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Revival of a Play &#8211; Drama League Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Solo Show &#8211; Lucille Lortel Awards<\/span><br \/>\n<span style=\"color: #000000;\">Best Individual Performance &#8211; New York Drama Critic&#8217;s Circle Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Solo Performance &#8211; Drama Desk Awards<\/span><br \/>\n<span style=\"color: #000000;\">Best Actor &#8211; Evening Standard Theatre Awards<\/span><br \/>\n<span style=\"color: #000000;\">Best Actor &#8211; London Critics&#8217; Circle Awards<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>NOMINATIONS<\/strong><\/span><br \/>\n<span style=\"color: #000000;\">Best Actor &#8211; Olivier Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Director &#8211; Lucille Lortel Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Direction of a Play &#8211; Drama League Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Solo Performance &#8211; New York Outer Critic&#8217;s Circle Awards<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Off-Broadway Production &#8211; Dorian Theatre Award<\/span><br \/>\n<span style=\"color: #000000;\">Outstanding Lead Performance &#8211; Dorian Theatre Award<\/span><br \/>\n<span style=\"color: #000000;\">Distinguished Performance Award &#8211; Andrew Scott<\/span><\/p>\n<p><span style=\"color: #000000;\">Critics&#8217; Pick New York Times<\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #000000;\"><strong>THE TWO-CHARACTER PLAY<\/strong><\/span><\/h1>\n<p><span style=\"color: #000000;\">Hampstead Theatre, London<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3642\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play-1024x686.jpg\" alt=\"\" width=\"700\" height=\"469\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play-1024x686.jpg 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play-300x201.jpg 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play-768x514.jpg 768w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play-1536x1028.jpg 1536w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2021\/07\/Two-Character-Play.jpg 1855w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qU0ngWGu0gw\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #000000;\">by Tennessee Williams<\/span><br \/>\n<span style=\"color: #000000;\">Cast: Kate O&#8217;Flynn &amp; Zubin Varla<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Rosana Vize; Lighting Lee Curran; Sound Dan Balfour; Video Akhila Krishnan; Movement Malik Nashad Sharpe; Casting Stuart Burt; Voice William Conacher; Assistant Director Lizzie Manwaring<\/span><br \/>\n<span style=\"color: #000000;\">\u2605\u2605\u2605\u2605\u2605 <span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/shentonstage.com\/reviews-the-two-character-play-john-jen\/\"><strong>MARK SHENTON, SHENTON STAGE<\/strong><\/a><\/span> <em>&#8220;I was gripped, riveted and moved&#8230; surprised and enthralled.&#8221;<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/08\/The-Two-Character-Play-reviews-collected.pdf\">REVIEWS &#8211; CLICK HERE<\/a><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">A SEPARATE PEACE\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Tom Stoppard<\/span><br \/>\n<span style=\"color: #000000;\">Curtain Call \/ Platform Presents<\/span><br \/>\n<span style=\"color: #000000;\">Broadcast live on Zoom<\/span><br \/>\n<span style=\"color: #000000;\">Cast: Jenna Coleman, Denise Gough, David Morrissey, Maggie Service, Ed Stoppard<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.theguardian.com\/stage\/2020\/may\/03\/a-separate-peace-review-tom-stoppard\">THE GUARDIAN<\/a><\/strong><\/span> <em>&#8220;If, for however long, this is live theatre\u2019s future, then it works triumphantly.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3956\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/05\/808.jpg-1024x614.webp\" alt=\"\" width=\"699\" height=\"419\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/05\/808.jpg-1024x614.webp 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/05\/808.jpg-300x180.webp 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/05\/808.jpg-768x461.webp 768w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2022\/05\/808.jpg.webp 1240w\" sizes=\"auto, (max-width: 699px) 100vw, 699px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3486\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/05\/Remote-Read_reg-1024x683.png\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/05\/Remote-Read_reg-1024x683.png 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/05\/Remote-Read_reg-300x200.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/05\/Remote-Read_reg-768x512.png 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">INCANTATA<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">Devised from the poem by Paul Muldoon<\/span><br \/>\n<span style=\"color: #000000;\"> Galway International Arts Festival &amp; Jen Coppinger in association with Poetry Ireland (2018), transfer to The Gate Theatre, Dublin (2019), transfer to Irish Rep, New York (2020) New York Times Critics&#8217; Pick.<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Stanley Townsend<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Rosanna Vize; Video Jack Phelan; Sound Sin\u00e9ad Diskin; Composer Teho Teardo; Lighting Paul Keoghan; SM Sarah Thomas; Producer Paul Fahy<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #000000; text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.nytimes.com\/2020\/03\/03\/theater\/incantata-review-paul-muldoon.html\"><strong><span style=\"caret-color: #000000;\">NEW YORK TIMES<\/span>\u00a0Critic&#8217;s Pick<\/strong><\/a><\/span><\/span><em><span style=\"color: #000000;\"> &#8220;Spellbinding&#8230; unique and beautiful&#8230; it has a peculiar charm, a touch of magic.&#8221;<\/span><\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3452\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1-1024x683.jpg\" alt=\"\" width=\"700\" height=\"467\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1-1024x683.jpg 1024w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1-300x200.jpg 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2020\/03\/Incantata0012-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">THE STARRY MESSENGER<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Kenneth Lonergan<\/span><br \/>\n<span style=\"color: #000000;\">Wyndhams Theatre, West End<\/span><br \/>\n<span style=\"color: #000000;\">Cast: Matthew Broderick, Elizabeth McGovern, Rosalind Eleazar, Jim Norton, Sinead Matthews, Sid Sagar, Jenny Galloway, Joplin Sibtain<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Chiara Stephenson; Lighting Neil Austin; Sound and music Alex Baranowski; Video Luke Halls; Voice William Conacher; Associate Director Rebecca Hill; Producer Simon Friend<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><a style=\"color: #000000;\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/theatre-dance\/reviews\/the-starry-messenger-wyndham-s-theatre-review-matthew-broderick-kenneth-lonergan-a8936761.html\"><span style=\"text-decoration: underline;\"><strong>THE INDEPENDENT<\/strong><\/span><\/a> <em>&#8220;Acting that ranges from laugh-out-loud funny to twisty, wrong-footed ambivalence.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3227\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-02-at-18.22.39.png\" alt=\"\" width=\"700\" height=\"464\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-02-at-18.22.39.png 964w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-02-at-18.22.39-300x199.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-02-at-18.22.39-768x510.png 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3219\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/the-starry-messenger.jpg\" alt=\"\" width=\"700\" height=\"394\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/the-starry-messenger.jpg 728w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/the-starry-messenger-300x169.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><span style=\"color: #000000;\"><strong>THE<\/strong> <strong>PHLEBOTOMIST<\/strong><\/span><\/h1>\n<p><span style=\"color: #000000;\">by Ella Road<\/span><br \/>\n<span style=\"color: #000000;\">Hampstead Theatre, Downstairs (2018) and transfer to Main Stage (2019). Olivier Award Nomination 2019.<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Jade Anouka, Rory Fleck-Byrne, Vincent Ebrahim, Cherrelle Skeete<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Rosanna Vize; Lighting Zoe Spurr; Video Duncan McLean \/ Louise Rhodes-Brown; Sound Sin\u00e9ad Diskin \/ Alex Twiselton; Movement Michela Meazza; Casting Lucy Hellier<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.theguardian.com\/stage\/2018\/apr\/27\/the-phlebotomist-review-hampstead-theatre-downstairs-london\"><strong>THE GUARDIAN <\/strong><\/a><\/span><em>&#8220;A gasp-worthy dystopian thriller&#8230;&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3276\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-31-at-14.03.31.png\" alt=\"\" width=\"700\" height=\"465\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-31-at-14.03.31.png 796w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-31-at-14.03.31-300x199.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2019\/07\/Screenshot-2019-07-31-at-14.03.31-768x510.png 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nBtFtUq-VbM\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h1><strong><span style=\"color: #000000;\">GLENGARRY GLEN ROSS\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by David Mamet<\/span><br \/>\n<span style=\"color: #000000;\">Playhouse Theatre, West End (2017-18) and No.1 UK Tour (2019)<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Christian Slater, Robert Glenister, Kris Marshall, Daniel Ryan, Oliver Ryan, Stanley Townsend, Don Warrington<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Chiara Stephenson; Lighting Richard Howell; Voice Richard Ryder; Casting Jim Carnahan \/ UK Tour Lucy Hellier; Associate Director Rebecca Hill<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605\u2605 <a style=\"color: #000000; text-decoration: underline;\" href=\"https:\/\/www.metro.news\/theatre-review-show-does-go-on-as-slick-salesman-christian-slater-seals-deal-in-glengarry-glen-ross\/817715\/\">THE METRO<\/a><\/strong> <em>&#8220;Slater, as the slickest operator Ricky Roma, delivers a superbly judged performance of measured aggression.&#8221;<\/em><\/span><\/p>\n<p><a href=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2017\/12\/Screen-Shot-2017-12-12-at-19.04.11.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2843\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2017\/12\/Screen-Shot-2017-12-12-at-19.04.11.png\" alt=\"\" width=\"700\" height=\"475\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2017\/12\/Screen-Shot-2017-12-12-at-19.04.11.png 936w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2017\/12\/Screen-Shot-2017-12-12-at-19.04.11-300x204.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2017\/12\/Screen-Shot-2017-12-12-at-19.04.11-768x521.png 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/6ZIqsjge-zs?rel=0\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">DESIRE UNDER THE ELMS<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Eugene O&#8217;Neill<\/span><br \/>\n<span style=\"color: #000000;\">Sheffield Crucible (2017)<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Me&#8217;sha Bryan, Claudia Cadette, Emma Darlow, Tim Dewberry, Aoife Duffin, Colin Haigh, Matthew Kelly, Theo Ogundipe, Sule Rimi, Michael Shea\u00a0<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Chiara Stephenson; Lighting Jon Clark; Video Luke Halls \/ Zakk Hein; Sound and music Alex Baranowski; Movement Kim Brandstrup; Voice Richard Ryder; Associate Director Taio Lawson<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><a style=\"color: #000000;\" href=\"https:\/\/www.whatsonstage.com\/sheffield-theatre\/reviews\/desire-under-the-elms-crucible-sheffield_44721.html\"><span style=\"text-decoration: underline;\"><strong>WHAT&#8217;S ON STAGE<\/strong><\/span><\/a> <em>&#8220;The sudden visual images, the different areas of action cross-cutting cinematically, the lighting and the music unfailingly atmospheric.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2918\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/02\/DesireUndertheElmsPROD-19.jpg\" alt=\"\" width=\"701\" height=\"467\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/02\/DesireUndertheElmsPROD-19.jpg 750w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2018\/02\/DesireUndertheElmsPROD-19-300x200.jpg 300w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/233736032\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h1><strong><span style=\"color: #000000;\">MURDER BALLAD\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Julia Jordan and Juliana Nash<\/span><br \/>\n<span style=\"color: #000000; line-height: 1.5;\">Arts Theatre, West End (2016)<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Kerry Ellis, Victoria Hamilton-Barritt, Ramin Karimloo &amp; Norman Bowman<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Richard Kent; Lighting David Plater; Sound designer Sam Clarkson; Video Laura Perret; Movement Michela Meazza<\/span><br \/>\n<span style=\"color: #000000;\"><em>*\u00a0Nominated for 3 <a style=\"color: #000000;\" href=\"http:\/\/www.whatsonstage.com\/london-theatre\/news\/whatsonstage-awards-nominations-2017-harry-potter_42375.html\">What&#8217;s On Stage Awards<\/a> and <a style=\"color: #000000;\" href=\"https:\/\/www.theguardian.com\/stage\/2017\/mar\/06\/olivier-awards-2017-full-list-of-nominations\">Oliver Award<\/a> (Best Supporting Actress)<\/em><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><strong>THE GUARDIAN<\/strong><\/span> <em>&#8220;Sam Yates\u2019s staging boasts a quartet of spot-on performances&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2627\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/12\/Screen-Shot-2016-12-24-at-13.49.56.png\" alt=\"\" width=\"701\" height=\"465\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/12\/Screen-Shot-2016-12-24-at-13.49.56.png 887w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/12\/Screen-Shot-2016-12-24-at-13.49.56-300x199.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/12\/Screen-Shot-2016-12-24-at-13.49.56-768x510.png 768w\" sizes=\"auto, (max-width: 701px) 100vw, 701px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">CYMBELINE\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by William Shakespeare<\/span><br \/>\n<span style=\"color: #000000;\"> Sam Wanamaker Playhouse, Globe Theatre<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Joseph Marcell, Pauline McLynn, Emily Barber, \u00a0Jonjo O&#8217;Neill, Eugene O&#8217;Hare, Sid Sagar, Darren Kuppan, Brendan O&#8217;Hea, Trevor Fox<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Richard Kent; Music Alex Baranowski; Assistant Director Rebecca Hill<\/span><br \/>\n<span style=\"color: #000000;\"><em>* Ian Charleson Award nomination for Emily Barber (Innogen)<\/em><\/span><br \/>\n<em><span style=\"color: #000000;\">* Winner Clarence Derwent Award (Jonjo O&#8217;Neill)<\/span><\/em><\/p>\n<p><span style=\"color: #000000;\"><strong><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/www.telegraph.co.uk\/theatre\/what-to-see\/london-theatre-the-best-shows-and-plays-on-now\/\"><em>Critics&#8217; Choice<\/em> |\u00a0THE DAILY TELEGRAPH | Best plays now on<\/a><\/strong> <em>&#8220;Director Sam Yates embraces the fairytale aspects of the drama with an enthusiasm kept in check by excellently clear verse-speaking and moments of piercing emotional clarity.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2048\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/12\/Screen-Shot-2015-12-24-at-00.02.35.png\" alt=\"Screen Shot 2015-12-24 at 00.02.35\" width=\"728\" height=\"488\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/12\/Screen-Shot-2015-12-24-at-00.02.35.png 594w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/12\/Screen-Shot-2015-12-24-at-00.02.35-300x201.png 300w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">EAST IS EAST\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Ayub Khan Din (UK Tour)<\/span><br \/>\n<span style=\"color: #000000;\"> <span style=\"color: #000000;\"> Jamie Lloyd Productions &amp; ATG, UK Tour<\/span><br \/>\n<span style=\"color: #000000;\"> With\u00a0Pauline McLynn, Sally Bankes, Ashley Kumar &amp; Darren Kuppan<\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Designer Tom Scutt; Lighting Richard Howell; Sound and music Alex Baranowski; Movement Georgina Lamb; Associate Director Rebecca Hill; Voice Richard Ryder; Casting Stuart Burt<\/span><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000000; text-decoration: underline;\" title=\"East is East The Times Review\" href=\"http:\/\/www.samyatesdirector.com\/?page_id=1635\">THE TIMES | Sam Marlowe<\/a><\/strong><\/span> <em>&#8220;Thrillingly vital. A play with guts, wit and a big, beating heart&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1888\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/09\/Screen-Shot-2015-09-21-at-00.06.11.png\" alt=\"EIE 12\" width=\"744\" height=\"491\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/09\/Screen-Shot-2015-09-21-at-00.06.11.png 671w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2015\/09\/Screen-Shot-2015-09-21-at-00.06.11-300x198.png 300w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">OUTSIDE MULLINGAR<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by John Patrick Shanley<\/span><br \/>\n<span style=\"color: #000000;\">Ustinov Theatre, Bath<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: James Hayes, Carol MacReady, Owen McDonnell, Dierdre O&#8217;Kane<\/span><br \/>\n<span style=\"color: #000000;\">Designer Richard Kent; Sound and music Giles Thomas; Lighting David Plater<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong>THE DAILY TELEGRAPH | Claire Allfree<\/strong><\/span><em> &#8220;What makes it special, in Sam Yates\u2019s skilfully attuned production, is the thoroughly lived-in feel of its characters and their gorgeous, knarly dialogue.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2320\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/DOK.png\" alt=\"DOK\" width=\"744\" height=\"464\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">EAST IS EAST<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Ayub Khan Din (West End)<\/span><br \/>\n<span style=\"color: #000000;\">Trafalgar Studios, West End\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> Jamie Lloyd Productions &amp; ATG, West End<\/span><br \/>\n<span style=\"color: #000000;\"> Cast: Jane Horrocks &amp; Ayub Khan Din<\/span><\/p>\n<p><span style=\"color: #000000;\">Photography Marc Brenner; Designer Tom Scutt; Lighting Richard Howell; Sound and music Alex Baranowski; Movement Georgina Lamb; Associate Director Kimberley Sykes; Voice Richard Ryder; Casting Stuart Burt<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <u><a style=\"color: #000000;\" href=\"http:\/\/www.theguardian.com\/stage\/2014\/oct\/16\/east-is-east-review-ayub-khan-din-stage\">THE GUARDIAN | Lyn Gardner<\/a><\/u><\/strong>\u00a0<em>&#8220;Director Sam Yates announces himself as a major talent in a revival, played out on Tom Scutt\u2019s clever, deceptively flexible design, which is pleasingly fluid&#8230;and which always puts truth before comedy. The payoff is a show that delivers the laughs even as it hurts.&#8221;<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2326\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EIE_LEP_v2-dragged-750x1024.jpg\" alt=\"EIE_LEP_v2 (dragged)\" width=\"741\" height=\"1012\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EIE_LEP_v2-dragged-750x1024.jpg 750w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EIE_LEP_v2-dragged-220x300.jpg 220w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EIE_LEP_v2-dragged-768x1048.jpg 768w\" sizes=\"auto, (max-width: 741px) 100vw, 741px\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yeYSMdD5BPo\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">THE EL. TRAIN\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">three one-act plays by Eugene O&#8217;Neill<\/span><br \/>\n<span style=\"color: #000000;\"><span style=\"text-align: justify; line-height: 1.5;\">Hoxton Hall (<\/span>Found Productions<span style=\"text-align: justify; line-height: 1.5;\">\u00a0and <\/span><strong>31<\/strong>Productions<span style=\"text-align: justify; line-height: 1.5;\">)<br \/>\nDirected by Sam Yates &amp; Ruth Wilson<br \/>\nCast:\u00a0Ruth Wilson, Nicola Hughes, Zubin Varla, Simon Coombs, Sharon Duncan-Brewster, Ony Uihara, Adam Sopp &amp; Christian Edwards<\/span><\/span><br \/>\n<span style=\"color: #000000;\">Photography Marc Brenner; Design Richard Kent; Lighting Neil Austin; Sound and music Alex Baranowski; Movement Ann Yee &amp; Michela Meazza; Casting Anne McNulty and Lucy Casson; Producers FOUND (Francesca Zampi, Alice Russell, Lucy Chaloner)<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/www.theguardian.com\/stage\/2013\/dec\/15\/the-el-train-review\">THE OBSERVER | Kate Kellaway<\/a><\/strong><\/span>\u00a0 <em>&#8220;Sam Yates proves himself a director of unusual flair with a pitch-perfect sense of O&#8217;Neill&#8217;s prose and of theatrical sound: the thunder of train and storm.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2421\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-24-at-00.16.42.png\" alt=\"Screen Shot 2016-08-24 at 00.16.42\" width=\"751\" height=\"492\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-24-at-00.16.42.png 916w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-24-at-00.16.42-300x197.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-24-at-00.16.42-768x503.png 768w\" sizes=\"auto, (max-width: 751px) 100vw, 751px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2429\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EL-TRAIN-724x1024.jpg\" alt=\"\" width=\"700\" height=\"990\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EL-TRAIN-724x1024.jpg 724w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EL-TRAIN-212x300.jpg 212w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EL-TRAIN-768x1086.jpg 768w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/EL-TRAIN.jpg 1240w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h1><strong><span style=\"color: #000000;\">BILLY LIAR\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by Keith Waterhouse and Willis Hall<\/span><br \/>\n<span style=\"color: #000000;\"> Royal Exchange Theatre, Manchester<\/span><br \/>\n<span style=\"color: #000000;\"> With Harry McEntire, Jack Deam, Lisa Millet, Emily Barber, Sue Wallace, Aaron Anthony, Katie Moore &amp; Rebekah Hinds\u00a0<\/span><br \/>\n<span style=\"color: #000000;\">Designer David Woodhead; Lighting David Plater; Sound and music Isobel Waller-Bridge; Casting Sophie Parrot; Movement Ann Yee; Voice Richard Ryder; Assistant director Alexander Summers<\/span><br \/>\n<span style=\"color: #000000;\"> <em>* Winner Best Actor (Harry McEntire) and Best Newcomer (Emily Barber) at 2015 <a style=\"color: #000000;\" href=\"http:\/\/manchestertheatreawards.com\/\">Manchester Theatre Awards<\/a><\/em><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/www.theguardian.com\/stage\/2014\/jun\/19\/billy-liar-review-hilarious-revival-play-keith-waterhouse\">THE GUARDIAN | Alfred Hickling<\/a><\/strong><\/span>\u00a0<em>\u201cTeenage dreamer is as witty as ever in a fine revival\u2026 Sam Yates\u2019 production is played admirably straight to often hilarious effect.\u201d<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2475\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-27-at-18.09.41.png\" alt=\"\" width=\"705\" height=\"450\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-27-at-18.09.41.png 997w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-27-at-18.09.41-300x191.png 300w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-27-at-18.09.41-768x490.png 768w\" sizes=\"auto, (max-width: 705px) 100vw, 705px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1501\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2014\/04\/BILLY-LIAR-Period-4-682x1024.jpg\" alt=\"BILLY LIAR Period 4\" width=\"724\" height=\"1087\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2014\/04\/BILLY-LIAR-Period-4-682x1024.jpg 682w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2014\/04\/BILLY-LIAR-Period-4-200x300.jpg 200w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2014\/04\/BILLY-LIAR-Period-4.jpg 1050w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3gkfZtjTmNU\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">CORNELIUS<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by J.B. Priestley (New York)<\/span><br \/>\n<span style=\"color: #000000;\"> 59E59 Theater,\u00a0New York<\/span><br \/>\n<span style=\"color: #000000;\"> With Alan Cox, Pandora Colin, Beverley Klein, Col Farrell<br \/>\nDesigner David Woodhead; Lighting Howard Hudson; Sound and music Alex Baranowski; Casting Lucy Casson<br \/>\n* <em>Critics&#8217; Pick<\/em> <em><a style=\"color: #000000;\" href=\"http:\/\/www.nytimes.com\/2013\/06\/13\/theater\/reviews\/cornelius-is-revived-at-59e59-theaters.html?_r=0\">New York Times<\/a><\/em><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><strong><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/www.nytimes.com\/2013\/06\/13\/theater\/reviews\/cornelius-is-revived-at-59e59-theaters.html?_r=0\">THE NEW YORK TIMES |\u00a0Ben Brantley\u00a0(Critics&#8217; Pick)<\/a><\/strong><\/span>\u00a0<em>&#8220;Expertly directed by Sam Yates&#8230;Cornelius, given virtuosic life by Mr. Cox, exudes an infectious, vital engagement with the world around him and a self-aware distance from it&#8230;As designed by David Woodhead and acted with in-the-moment precision, Mr. Yates\u2019s production is a work of straightforward naturalism, with subtle suggestions of the numinous provided by Howard Hudson\u2019s lighting and Alex Baranowski\u2019s music&#8230;Wonderful.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1031\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14JPCORNELIUS-articleLarge-v2.jpg\" alt=\"14JPCORNELIUS-articleLarge-v2\" width=\"736\" height=\"471\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14JPCORNELIUS-articleLarge-v2.jpg 600w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14JPCORNELIUS-articleLarge-v2-300x192.jpg 300w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6QIC8CNwhhg?controls=0\" width=\"704\" height=\"396\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">CORNELIUS<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by J.B. Priestley\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"http:\/\/www.finboroughtheatre.co.uk\/productions\/2012\/production---cornelius.php\">Finborough Theatre<\/a>\u00a0| <strong>31<\/strong><span style=\"color: #808080;\">Productions<\/span><\/span><br \/>\n<span style=\"color: #000000;\"> With Alan Cox, Beverley Klein, Col Farrell, Emily Barber<br \/>\nDesigner David Woodhead; Lighting Howard Hudson; Sound and music Alex Baranowski; Casting Lucy Casson<br \/>\n<em>*Nominated for four Off West End Awards<\/em><\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><a style=\"color: #000000; text-decoration: underline;\" href=\"http:\/\/www.samyatesdirector.com\/?page_id=508\"><strong>THE TIMES | Sam Marlowe <\/strong><\/a><\/span><em>&#8220;Sam Yates\u2019s production is beautifully modulated and played to perfection, its atmosphere of deadening routine offset by the petty politics and personal quirks that characterise office life, now as then&#8230;Piercingly relevant, compassionate and delivered, like Cornelius\u2019s bons mots, with great style.&#8221;<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1030\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup.jpg\" alt=\"14CORNELIUS-popup\" width=\"727\" height=\"730\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup.jpg 498w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup-298x300.jpg 298w\" sizes=\"auto, (max-width: 727px) 100vw, 727px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">MIXED MARRIAGE\u00a0<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\">by St John Ervine<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"> <a style=\"color: #000000;\" href=\"http:\/\/www.finboroughtheatre.co.uk\/productions\/2011\/production-mixed-marriage.php\">Finborough Theatre<\/a>\u00a0| <strong>31<\/strong>Productions<\/span><br \/>\n<span style=\"color: #000000;\"> With Nora-Jane Noone, Daragh O\u2019Malley, Fiona Victory, Joel Ormsby, Damien Hannaway, Christopher Brandon<\/span><\/p>\n<p><span style=\"color: #000000;\">Design Richard Kent; Lighting David Plater; Sound and music Alex Baranowski; Casting Lucy Casson<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605 <\/strong><a style=\"color: #000000;\" href=\"https:\/\/www.theguardian.com\/stage\/2011\/oct\/10\/mixed-marriage-review\"><span style=\"text-decoration: underline;\"><strong>THE GUARDIAN | Michael Billington<\/strong><\/span><\/a> <em>\u201cA fine production by Sam Yates that, in compressing the four acts into an uninterrupted 80 minutes, gives the play a headlong momentum and never strikes a false note\u2026 The most compelling play in London\u201d<\/em><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-671\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2012\/09\/Christopher-Brandon-and-Nora-Jane-Noone-in-Mixed-Marriage-directed-by-Sam-Yates.png\" alt=\"Christopher Brandon and Nora-Jane Noone in Mixed Marriage directed by Sam Yates\" width=\"734\" height=\"489\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2012\/09\/Christopher-Brandon-and-Nora-Jane-Noone-in-Mixed-Marriage-directed-by-Sam-Yates.png 672w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2012\/09\/Christopher-Brandon-and-Nora-Jane-Noone-in-Mixed-Marriage-directed-by-Sam-Yates-300x200.png 300w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">POETRY WEEK with Josephine Hart<\/span><\/strong><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"> Donmar Warehouse<\/span><br \/>\n<span style=\"color: #000000;\"> With Jeremy Irons, Edward Fox, Harriet Walter, Ruth Wilson, Max Irons, Deborah Findlay, Emelia Fox, Kenneth Cranham, Dan Stevens and Felicity Kendal<\/span><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2329\" src=\"http:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-23-at-15.28.41.png\" alt=\"Screen Shot 2016-08-23 at 15.28.41\" width=\"729\" height=\"294\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-23-at-15.28.41.png 765w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2016\/08\/Screen-Shot-2016-08-23-at-15.28.41-300x121.png 300w\" sizes=\"auto, (max-width: 729px) 100vw, 729px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">OLEANNA by David Mamet<\/span><\/strong><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>OLEANNA<\/strong> by David Mamet\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> McAulay Theatre, Hong Kong Arts Centre<\/span><br \/>\n<span style=\"color: #000000;\"> With Howard Paley and Kesty Morrison<\/span><\/p>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: left;\"><span style=\"color: #000000;\"><strong>PURGATORY by W.B. Yeats<\/strong><\/span><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/www.britishtheatreguide.info\/otherresources\/fringe\/fringe06-80.htm#P\">PURGATORY<\/a><\/strong> by W.B. Yeats\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> C Venues, Edinburgh Festival<\/span><br \/>\n<span style=\"color: #000000;\"> With Brooke Morriswood and Monique Cornwell<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong>THE BRITISH THEATRE GUIDE<\/strong><\/span> \u00a0&#8220;The strength and effect of the simple story is maximised by the play\u2019s short running time and makes the bitter end all the more shocking, as the audience is swept in the plain and simple horror of the tale.&#8221;<\/span><\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">MACBETH: THE HOUR<\/span><\/strong><\/h1>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/broadwaybaby.com\/shows\/macbeth-the-hour\/25052\"><strong>MACBETH: THE HOUR<\/strong><\/a>\u00a0by William Shakespeare\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> C Venues, Edinburgh Festival, &amp; ADC<\/span><br \/>\n<span style=\"color: #000000;\"> With Ben Deery, Tom Berish and Thomas Eccleshare<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>\u2605\u2605\u2605\u2605\u2605 <\/strong><span style=\"text-decoration: underline;\"><strong>BROADWAY BABY<\/strong><\/span>\u00a0&#8220;Director Sam Yates has changed my expectations of a Fringe show. His interpretation of Macbeth raises the bar so high that other 5-Star shows suddenly look amateurish in comparison. The most spectacular production of a classic I have seen in Edinburgh &#8211; or even London &#8211; for years.&#8221;<\/span><\/p>\n<h1 style=\"text-align: left;\"><strong><span style=\"color: #000000;\">READINGS \/ WORKSHOPS<\/span><\/strong><\/h1>\n<p><span style=\"color: #000000;\"><strong>COMPANY<\/strong> by Stephen Sondheim (2016)<\/span><br \/>\n<span style=\"color: #000000;\"> Royal Academy of Music<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>ASSASSINS<\/strong> by Stephen Sondheim (2015)<\/span><br \/>\n<span style=\"color: #000000;\"> Royal Academy of Music<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>IN A TOWN OF 5,000 PEOPLE<\/strong><br \/>\nby Frank McGuinness\u00a0(2015)<\/span><br \/>\n<span style=\"color: #000000;\"> Waterstones, Piccadilly (poetry reading)\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> With Brid Brennan, Eugene O&#8217;Hare and Patrick O&#8217;Kane<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>UNTITLED DANCE\/POETRY WORKSHOP<\/strong>\u00a0(2014)<\/span><br \/>\n<span style=\"color: #000000;\"> Manchester International Festival | Paris Opera<\/span><br \/>\n<span style=\"color: #000000;\"> With Ruth Wilson and Marie-Agnes Gillot<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>RAGE<\/strong> by Eugene O&#8217;Hare (2014)<\/span><br \/>\n<span style=\"color: #000000;\"> <a style=\"color: #000000;\" title=\"31Productions\" href=\"http:\/\/www.samyatesdirector.com\/?p=220\">31Productions<\/a>\u00a0(rehearsed reading)<\/span><br \/>\n<span style=\"color: #000000;\"> With Deborah Findlay, Edward Hogg, Matthew Marsh, Al Weaver<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>KNIGHTS<\/strong> by Marcelo Dos Santos (2014)<\/span><br \/>\n<span style=\"color: #000000;\"> Vanbrugh Theatre, RADA (rehearsed reading)<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>INSIGNIFICANCE<\/strong> by Terry Johnson (2014)<\/span><br \/>\n<span style=\"color: #000000;\"> Jagged Fence, (rehearsed reading)<\/span><br \/>\n<span style=\"color: #000000;\"> With Ruth Wilson, Kenneth Cranham, Robert Glenister &amp; Nick Moran<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>BREAKING THE CODE<\/strong> by Hugh Whitemore (2013)<\/span><br \/>\n<span style=\"color: #000000;\"> McCabe\/Smith Productions (rehearsed reading)<\/span><br \/>\n<span style=\"color: #000000;\"> With Andrew Scott, Phil Davis, Oliver Cotton, Deborah Findlay, Michelle Terry<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>GRIEF<\/strong> by Eugene O&#8217; Hare (2013)<\/span><br \/>\n<span style=\"color: #000000;\"> RADA new plays series<\/span><br \/>\n<span style=\"color: #000000;\"> With Karen Colgan, Caolan Byrne, Lisa Dwyer<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE EL. TRAIN:<\/strong> Three Plays by Eugene O&#8217;Neill<\/span><br \/>\n<span style=\"color: #000000;\"> 31Productions\u00a0(rehearsed reading, January 2013)<\/span><br \/>\n<span style=\"color: #000000;\"> With Andrew Scott, Ruth Wilson, Matthew Marsh, Eugene O&#8217;Hare<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>FLESH AND BLOOD<\/strong> by William Gaminara (2012)<\/span><br \/>\n<span style=\"color: #000000;\"> Chichester Festival Theatre (rehearsed reading)<\/span><br \/>\n<span style=\"color: #000000;\"> With Simon Russell Beale, Lisa Dillon, Paul Ready and Paul Ritter<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>CAPITALYPSO<\/strong>\u00a0Music\/lyrics by Joe Swarbrick (2012)<\/span><br \/>\n<span style=\"color: #000000;\"> National Theatre Studio<\/span><br \/>\n<span style=\"color: #000000;\"> With David Fynn and Amy Booth-Steel<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THERE GOES MY FUTURE<\/strong>\u00a0 by Nicholas De Jongh (2011)<\/span><br \/>\n<span style=\"color: #000000;\"> Finborough Theatre Vibrant Festival<\/span><br \/>\n<span style=\"color: #000000;\"> With Frances Cuka and Annabel Levinton<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>CLEVER<\/strong> by Sally Woodcock (2011)<\/span><br \/>\n<span style=\"color: #000000;\"> RADA new plays festival (rehearsed reading)<\/span><br \/>\n<span style=\"color: #000000;\"> With Karen Cogan and Andrew Martyn Lewis<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>MRS P<\/strong> by Diane Samuels and Gwyneth Herbert (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> Mercury Musical Developments (workshop)<\/span><br \/>\n<span style=\"color: #000000;\"> With Sophie Thompson, Nick Holder, Paul Kaye<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>ELECTRA<\/strong> by Sophocles (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> Garrick Theatre, Stockport<\/span><br \/>\n<span style=\"color: #000000;\"> Local community<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>TO KEEP THE GHOST AWAKE<\/strong>\u00a0by Nicholas De Jongh (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> Finborough Theatre Vibrant Festival<\/span><br \/>\n<span style=\"color: #000000;\"> With Luke Treadaway, Lex Shrapnel, Annabel Levinton<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>OEDIPUS<\/strong> by Sophocles (2009)<\/span><br \/>\n<span style=\"color: #000000;\"> Garrick Theatre, Stockport<\/span><br \/>\n<span style=\"color: #000000;\"> Local community<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE TURKE<\/strong> by John Mason (2007)<\/span><br \/>\n<span style=\"color: #000000;\"> Arcola Theatre<\/span><br \/>\n<span style=\"color: #000000;\"> With Sam Swainsbury and Clemmie Wade<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>THE TEMPEST<\/strong> by William Shakespeare (2004)<\/span><br \/>\n<span style=\"color: #000000;\"> Blank Theatre Company, Cambridge<\/span><br \/>\n<span style=\"color: #000000;\"> With Jay Miller and Monique Cornwell<\/span><\/p>\n<h1 style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>ASSOCIATE DIRECTOR<\/strong><\/span><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>ONE MAN, TWO GUVNORS<\/strong> by Richard Bean<\/span><br \/>\n<span style=\"color: #000000;\"> National Theatre, UK Tour, World Tour and West End<\/span><br \/>\n<span style=\"color: #000000;\"> With Rufus Hound, Owain Arthur, Edward Bennett, Kelly Shirley &amp; Amy Booth-Steel<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Nicholas Hytner &amp; Adam Penford<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>SHE STOOPS TO CONQUER<\/strong> by Oliver Goldsmith<\/span><br \/>\n<span style=\"color: #000000;\"> National Theatre, Olivier Theatre (2012)<\/span><br \/>\n<span style=\"color: #000000;\"> With Sophie Thomson, Steve Pemberton, Cush Jumbo, Katherine Kelly, John Heffernan, Harry Hadden-Paton<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Jamie Lloyd<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>THIRTY THREE<\/strong> by Matthew Hurt (2012)<\/span><br \/>\n<span style=\"color: #000000;\"> National Theatre Studio (also casting)<\/span><br \/>\n<span style=\"color: #000000;\"> With Rory Kinnear, John Heffernan, Harry Hadden-Paton, Sarah Solemani<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Laurie Sansom<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/www.cmplimited.com\/future.html\">BIRDSONG<\/a><\/strong> by Sebastian Faulks &amp; Rachel Wagstaff\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> Comedy Theatre, West End, CMP\u00a0(2011)<\/span><br \/>\n<span style=\"color: #000000;\"> With Ben Barnes, Nicholas Farrell, Lee Ross, Genevieve O&#8217;Reilly<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Trevor Nunn<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>HEAVENLY IVY<\/strong> by Ronald Harwood (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> The Ivy, London<\/span><br \/>\n<span style=\"color: #000000;\"> With Michael Pennington, Nicholas Woodyson and Isabella Calthorpe<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Sean Mathias<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/headlongtheatre.co.uk\/productions\/production_details.php?Title=Salome_&amp;production_id=3\">SALOME<\/a><\/strong> by Oscar Wilde (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> Headlong UK Tour and Hampstead Theatre<\/span><br \/>\n<span style=\"color: #000000;\"> With Con O\u2019Neil, Zawe Ashton, Jaye Griffiths<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Jamie Lloyd<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>THE LITTLE DOG LAUGHED<\/strong> by Douglas Carter-Beane (2010)<\/span><br \/>\n<span style=\"color: #000000;\"> Garrick Theatre, West End, CMP<\/span><br \/>\n<span style=\"color: #000000;\"> With Tamsin Greig, Gemma Arterton, Rupert Friend, Harry Lloyd<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Jamie Lloyd<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/www.donmarwarehouse.com\/pl87info.html\">HAMLET<\/a><\/strong> by William Shakespeare (2009)<\/span><br \/>\n<span style=\"color: #000000;\"> Donmar West End, Elsinore and Broadway<\/span><br \/>\n<span style=\"color: #000000;\"> With Jude Law, Penelope Wilton, Ron Cook, Peter Eyre and Gugu Mbatha-Raw<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Michael Grandage<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/www.donmarwarehouse.com\/pl86info.html\">MADAME DE SADE<\/a> <\/strong>by Yukio Mishima (2009)<\/span><br \/>\n<span style=\"color: #000000;\"> Donmar West End<\/span><br \/>\n<span style=\"color: #000000;\"> With Judi Dench, Rosamond Pike, Frances Barber, Deborah Findlay, Jenny Galloway, Fiona Button<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Michael Grandage<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><a style=\"color: #000000;\" href=\"http:\/\/www.bushtheatre.co.uk\/production\/how_to_curse\/\">HOW TO CURSE<\/a><\/strong> by Ian McHugh (2007)<\/span><br \/>\n<span style=\"color: #000000;\"> Bush Theatre<\/span><br \/>\n<span style=\"color: #000000;\"> With Al Weaver, Robert Boulter, Emily Beecham<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Josie Rourke<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>BURYING YOUR BROTHER IN THE PAVEMENT<\/strong> by Jack Thorne<\/span><br \/>\n<span style=\"color: #000000;\"> NT Connections retreat (2007)<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Josie Rourke<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>UNCLE VANYA<\/strong> by Anton Chekhov \/ Bryony Lavery\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> Birmingham Rep Theatre\u00a0(2007)<\/span><br \/>\n<span style=\"color: #000000;\"> With John Ramm, Jill Halfpenny, Christopher Godwin<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Rachel Kavanaugh<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>HYSTERIA<\/strong> by Terry Johnson (2007)<\/span><br \/>\n<span style=\"color: #000000;\"> Birmingham Rep Theatre<\/span><br \/>\n<span style=\"color: #000000;\"> With Sean Foley, Ruth Miller, John Burgess, Sam Swainsbury<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Paul Raffield<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>MACBETH<\/strong> by Verdi (2006)<\/span><br \/>\n<span style=\"color: #000000;\"> Royal Opera House (revival)<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Phyllida Lloyd<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>WISE CHILDREN<\/strong> by Angela Carter \/ Bryony Lavery\u00a0<\/span><br \/>\n<span style=\"color: #000000;\"> National Theatre Studio\u00a0(2006)<\/span><br \/>\n<span style=\"color: #000000;\"> With Alex Jennings, Deborah Findlay, Paul Ritter<\/span><br \/>\n<span style=\"color: #000000;\"> dir. Phyllida Lloyd<\/span><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><span style=\"color: #000000;\">BBC RADIO DRAMA\u00a0<\/span><\/strong><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>BBC RADIO DRAMA<\/strong> (2000-2006)<\/span><br \/>\n<span style=\"color: #000000;\"> Broadcast Assistant and casting on many new and classic plays, including works by Dan Rebellato, Alan Bennett, Samuel Beckett, Tennessee Williams, and Eugene O\u2019Neill. Highlights include KRAPP&#8217;S LAST TAPE with Corin Redgrave, MIDWICH CUCKOOS with Bill Nighy, and THE WOMEN&#8217;S ROOM with Elizabeth McGovern.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; GOLDEN BOY by Clifford Odets Almeida Theatre, 2026. &nbsp; VANYA\u00a0 Duke of Yorks, West End \/ Lucille Lortel, New York &nbsp; Cast: Andrew Scott Writer: Simon Stephens, after Anton Chekhov Director: Sam Yates Designer: Rosanna Vize; Lighting James Farncombe; Sound Dan Balfour; Video Jack Phelan; Movement Michela Meazza; Associate Designer Blythe Brett; Assistant Director [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2230","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/2230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2230"}],"version-history":[{"count":419,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/2230\/revisions"}],"predecessor-version":[{"id":4816,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/2230\/revisions\/4816"}],"wp:attachment":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}