{"id":1018,"date":"2013-06-22T02:41:20","date_gmt":"2013-06-22T01:41:20","guid":{"rendered":"http:\/\/www.samyatesdirector.com\/?page_id=1018"},"modified":"2014-10-29T11:03:09","modified_gmt":"2014-10-29T11:03:09","slug":"cornelius-by-j-b-priestley-59e50-theatres-new-york","status":"publish","type":"page","link":"https:\/\/www.samyatesdirector.com\/?page_id=1018","title":{"rendered":"Cornelius by J.B. Priestley, 59E59 Theatres, New York"},"content":{"rendered":"<p>Presented by\u00a0<span style=\"text-decoration: underline;\"><a title=\"31Productions\" href=\"http:\/\/www.samyatesdirector.com\/?p=220\"><strong>31<\/strong>Productions<\/a><\/span>,\u00a0<span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.handsomedogproductions.com\">Handsome Dog Productions<\/a><\/span>\u00a0and\u00a0<span style=\"text-decoration: underline;\"><a href=\"http:\/\/jaggedfence.co.uk\/\">Jagged Fence<\/a><\/span>\u00a0in association with Neil McPherson for the <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.finboroughtheatre.co.uk\">Finborough Theatre<\/a><\/span>.<\/p>\n<p><strong><em>&#8220;So all the time, while you were pretending to work, you&#8217;ve been having the most astonishing adventures in that corner?&#8221;<\/em><\/strong><\/p>\n<p>A forgotten masterpiece from one of Britain&#8217;s greatest dramatists, J.B. Priestley, which played for four weeks in June at Off-Broadway Theatre <a href=\"http:\/\/www.59e59.org\"><span style=\"text-decoration: underline;\">59E59<\/span><\/a> to sold-out houses, <a href=\"http:\/\/www.standard.co.uk\/news\/london\/london-pubs-jb-priestley-play-is-hit-in-new-york-8663051.html\"><span style=\"text-decoration: underline;\">breaking box office records<\/span><\/a>.<\/p>\n<p>Written for Ralph Richardson in 1935, Priestley observes the politics and tensions of daily office life with searing wit and humanity in this hilarious and heart-breaking story of friendship, unrequited love and business.<\/p>\n<p><strong>Cast<\/strong>\u00a0Emily Barber, Alex Bartram, Robin Browne, Pandora Colin, Alan Cox, David Ellis, Andrew Fallaize, Col Farrell, Beverley Klein, Jamie Newall, Xanthe Patterson, and Simon Rhodes<\/p>\n<h1>Production Images<\/h1>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-1018 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1030\" srcset=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup-150x150.jpg 150w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup-298x300.jpg 298w, https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14CORNELIUS-popup.jpg 498w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1030'>\n\t\t\t\tCORNELIUS\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14JPCORNELIUS-articleLarge-v2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/14JPCORNELIUS-articleLarge-v2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0002-e1371865510496.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0002-e1371865510496-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0003-e1371865483972.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0003-e1371865483972-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1020\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1020'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0005-e1371865449764.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0005-e1371865449764-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1021\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1021'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0015.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0015-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1023\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1023'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0017.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0017-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1029\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1029'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0019.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0019-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1024\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1024'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0025.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0025-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1026\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1026'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0028.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0028-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1025\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1025'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0031.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0031-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1027\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1027'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0037.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/samyatesdirector.com\/wp-content\/uploads\/2013\/06\/Cornelius0037-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-1028\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-1028'>\n\t\t\t\tCornelius\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Written by\u00a0<\/strong>J.B. Priestley<br \/>\n<strong>Directed by<\/strong>\u00a0Sam Yates<br \/>\n<strong>Designed by<\/strong>\u00a0<a href=\"http:\/\/www.stagejobspro.com\/uk\/view.php?uid=198147\">David Woodhead<\/a><br \/>\n<strong>Lighting Designed by<\/strong>\u00a0<a href=\"http:\/\/www.howardhudson.co.uk\/\">Howard Hudson<\/a><br \/>\n<strong>Composed by<\/strong><a href=\"http:\/\/alexbaranowski.co.uk\/\">\u00a0Alex Baranowski<\/a><\/p>\n<h1><strong>Reviews<\/strong><\/h1>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a title=\"Cornelius by J.B. Priestley, 59E59 Theatres, New York\" href=\"http:\/\/www.samyatesdirector.com\/?page_id=1018\">THE NEW YORK TIMES |\u00a0Ben Brantley\u00a0(Critics&#8217; Pick)<\/a><\/span>\u00a0&#8220;Expertly directed by Sam Yates&#8230;Cornelius, given virtuosic life by Mr. Cox, exudes an infectious, vital engagement with the world around him and a self-aware distance from it&#8230;As designed by David Woodhead and acted with in-the-moment precision, Mr. Yates\u2019s production is a work of straightforward naturalism, with subtle suggestions of the numinous provided by Howard Hudson\u2019s lighting and Alex Baranowski\u2019s music&#8230;Wonderful.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.nypost.com\/p\/entertainment\/theater\/fine_work_about_failing_biz_bLSXQ8Mey8pztmjrAl9XJO\">NEW YORK POST\u00a0| Frank Scheck<\/a><\/span>\u00a0&#8220;Impeccably staged by Sam Yates on David Woodhead\u2019s realistic, \u201930s-era office set, the production features superb work by the ensemble&#8230;\u00a0The play\u2019s final moments, in which he unveils a dizzying array of emotions after revealing his love for a much younger woman, won\u2019t be easily forgotten.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.huffingtonpost.com\/david-finkle\/first-nighter-john-guare_b_3424378.html\">HUFFINGTON POST\u00a0| David Finkle<\/a><\/span>\u00a0\u00a0&#8220;The marvelously inventive J. B. Priestley (1894-1984) was last represented on Broadway by Stephen Daldry&#8217;s elephantine revival of\u00a0<em>An Inspector Calls<\/em>, but that was practically an anomaly. The\u00a0<em>sui generis<\/em>\u00a0scribe has barely been noticed locally since his 1930s heyday. So the arrival at 59E59 of his little-known 1935\u00a0<em>Cornelius<\/em>\u00a0is an opportunity to seize with both hands.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/bigstory.ap.org\/article\/review-wolf-door-cornelius\">THE WALL STREET JOURNAL | Jennifer Farrar<\/a>\u00a0<\/span>&#8220;Yates renders the manners and mores of the period with faithful attention to details, keeping his proficient cast of 16 in orderly motion as events transpire in a large, one-room office. The play was considered edgy when it premiered, and remains relevant nearly eight decades later.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.theatermania.com\/new-york-city-theater\/reviews\/06-2013\/cornelius_65344.html\">THEATER MANIA | Brian Scott Lipton<\/a><\/span>\u00a0&#8220;Director Sam Yates and his sterling cast, led by the extraordinary Alan Cox, have brought out every nuance of this deeply humane tale, set in the office of a foundering metals import firm.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.newyorker.com\/arts\/events\/theatre\/cornelius-59e59-theatres\">TH<\/a>E NEW YORKER<\/span>\u00a0&#8220;Jamie Newall\u2019s spectacular turn, as Murrison, shifts the play\u2019s focus from an economic crisis to an existential one.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.standard.co.uk\/news\/london\/london-pubs-jb-priestley-play-is-hit-in-new-york-8663051.html\">THE EVENING STANDARD<\/a>\u00a0| Tom Teodorczuk<\/span>\u00a0Cornelius by J.B. Priestley &#8220;is the most commercially successful Off-Broadway production.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">THEATER TALK<\/span>\u00a0with Michael Riedel and Susan Haskins, June 2013, PBS and Cuny TV\u00a0Sam Yates and Alan Cox interviewed about Cornelius by J.B. Priestley<\/p>\n<p style=\"text-align: justify;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/wxFBR2ZwG-I\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">THE NEW YORK TIMES | Ben Brantley, May 31st 2013 | Preview<\/span><strong>\u00a0<\/strong>&#8220;Nobody paid much attention when \u201cCornelius\u201d opened in London in 1935, though the play was written by the popular novelist and dramatist J. B. Priestley and starred no less an actor than Ralph Richardson. But this portrait of capitalism, as one character calls it, a \u201cgame of snakes and ladders \u2014 without the ladders,\u201d was perhaps too tough-minded for escapist Depression audiences and survived for a mere seven weeks before fading into the twilight of forgotten flops.<\/p>\n<p style=\"text-align: justify;\">&#8220;Flash forward to 2012, when the tiny but mighty Finborough Theater, known for pulling neglected plays from the shadows (like Emlyn Williams\u2019s \u201cAccolade,\u201d a study in scandal and celebrity), gives \u201cCornelius\u201d its first London revival. It\u2019s a smash, hailed by critics as \u201cpainfully prescient\u201d and \u201ceerily relevant.\u201d So eight decades after its inception, \u201cCornelius\u201d has at last crossed the Atlantic for its American premiere. Now in previews at 59E59 Theaters, Sam Yates\u2019s production for the Finborough has Alan Cox repeating his acclaimed performance in the title role. It is part of what has thus far been an exceptionally strong edition of the annual Brits Off Broadway festival. (Through June 30, 59 East 59th Street, Manhattan, 212-279-4200, 59e59.org.)&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.guardian.co.uk\/stage\/2012\/aug\/20\/cornelius-review-finborough-london?newsfeed=true\">4**** THE GUARDIAN | Michael Billington<\/a><\/span>\u00a0&#8220;A monumental leading role, which Alan Cox here fills to the brim, conveying the pipe-smoking decency of a man who will do anything to stop the firm going bust out of loyalty to his partner. At the same time, Cox suggests Cornelius is a poet and dreamer who sees through the futility of petty commerce and yearns for a life of adventure. It is a wonderfully two-toned performance well supported in Sam Yates&#8217;s lively production.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span style=\"text-decoration: underline;\"><a title=\"The Times review of Cornelius by J.B. Priestley\" href=\"http:\/\/www.samyatesdirector.com\/?page_id=508\">4**** THE TIMES | Sam Marlowe\u00a0<\/a><\/span>\u00a0&#8220;Sam Yates\u2019s production is beautifully modulated and played to perfection, its atmosphere of deadening routine offset by the petty politics and personal quirks that characterise office life, now as then&#8230;Piercingly relevant, compassionate and delivered, like Cornelius\u2019s bons mots, with great style.&#8221;<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.telegraph.co.uk\/culture\/theatre\/theatre-reviews\/9503631\/Cornelius-Finborough-Theatre-review.html\">4**** THE DAILY TELEGRAPH | Dominic Cavendish<\/a><\/span>\u00a0&#8220;Cornelius, played in the original production by Ralph Richardson and here, in Sam Yates\u2019s splendidly cast staging at the Finborough by Alan Cox, is one of two chief partners in an aluminium import business called Briggs and Murrison&#8230;Blessed with a philosophical air of carefree detachment and a theatrically declamatory manner, Cornelius \u2013 unruffled and raffish in Cox\u2019s richly nuanced performance.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/theatre-dance\/reviews\/cornelius-finborough-theatre-london-8092532.html\">4****\u00a0THE INDEPENDENT |\u00a0Paul Taylor<\/a>\u00a0<\/span>&#8220;Sam Yates&#8217;s engaging and well-judged revival, it emerges as an intriguing period piece that speaks to our times&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\">4****\u00a0<\/span><a href=\"http:\/\/www.dailymail.co.uk\/news\/arts\/article-2197676\/Office-romance-lifts-slump.html?ito=feeds-newsxml\">MAIL ON SUNDAY | Robert Gore-Langton<\/a>\u00a0&#8220;Cox is a joy as the boss&#8230;in this beautifully staged and fascinating production.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a title=\"THE SUNDAY TIMES review of Cornelius by J.B. Priestley 14 August \u2013 8 September 2012, Finborough Theatre\" href=\"http:\/\/www.samyatesdirector.com\/?page_id=712\">4**** THE SUNDAY TIMES | Maxie Szalwinska<\/a><\/span>\u00a0&#8220;Everyone in this play has their own modest yearnings, and the director, Sam Yates, takes them seriously.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.standard.co.uk\/arts\/theatre\/cornelius-finborough--review-8073122.html\">4**** THE EVENING STANDARD | Fiona Mountford<\/a><\/span>\u00a0&#8220;It\u2019s rare that a \u201crediscovered theatrical gem\u201d lives up to its pre-billing. But just this once, just maybe, the always intrepid Finborough won\u2019t be breaking the Trade Descriptions Act, with this superb revival of an all but forgotten 1935 JB Priestley piece.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.timeout.com\/london\/theatre\/event\/59848\/cornelius\">4**** TIME OUT MAGAZINE (Critics&#8217; Choice) | Tom Wicker<\/a><\/span>\u00a0&#8220;Sam Yates&#8217;s sensitive, well-judged production sees &#8216;Cornelius&#8217; wearing its age lightly.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.theartsdesk.com\/theatre\/cornelius-finborough-theatre\">4**** THE ARTS DESK | Matt Wolf<\/a><\/span>\u00a0 &#8220;The most exciting reclamation from the English theatrical canon since the same venue produced Emlyn Williams&#8217;s startling and welcome Accolade&#8230;Funny and endearing&#8230;and the young director Sam Yates and his hugely accomplished cast do the occasion proud.&#8221;<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.whatsonstage.com\/reviews\/theatre\/london\/E8831345193950\/Cornelius.html\">4**** WHAT&#8217;S ON STAGE | Michael Coveney<\/a><\/span>\u00a0&#8220;This attractively strange and surprising 1935 play by J B Priestley, acutely well cast and directed by Sam Yates, has the added chill relevance of being about economic collapse and unemployment in a recession.&#8221;<\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>Presented by\u00a031Productions,\u00a0Handsome Dog Productions\u00a0and\u00a0Jagged Fence\u00a0in association with Neil McPherson for the Finborough Theatre. &#8220;So all the time, while you were pretending to work, you&#8217;ve been having the most astonishing adventures in that corner?&#8221; A forgotten masterpiece from one of Britain&#8217;s greatest dramatists, J.B. Priestley, which played for four weeks in June at Off-Broadway Theatre 59E59 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1018","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/1018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1018"}],"version-history":[{"count":20,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/1018\/revisions"}],"predecessor-version":[{"id":1727,"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=\/wp\/v2\/pages\/1018\/revisions\/1727"}],"wp:attachment":[{"href":"https:\/\/www.samyatesdirector.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}